FishEye Studio

Just another small fish in a very large pond

What’s happening?

Is the tag on the top of my twitter page. I am doing some home matiance on my blog and web site, while watching the Olympic Men’s Bronez Metal match between Finland and Slovakia. Slovakia has just scored and the score is now FIN 1 – SVK 1, half way through the second period.

Anyways, one of the thing that I have been working on is my tweets for twitter. I installed two WordPress plug-ins the past few days. The first is Tweetmeme. Tweetmeme is the little twitter retweet button you see at the bottom of each post. After reading a few blogs and articles that I found on Social Networking, I figured that I would get a little more active on Twitter. this is a good way for other blog readers, fans or whatever to tweet my blog post.

I also added another Twitter plug-in for WordPress that will tweet my post to my Twitter account with a Bit.ly URL. This is for those that aren’t reders of FishEye Studio blog, but are my Twitter Followers they too can enjoy what I have to say… right!

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Al E. Gator


Al E. Gator, originally uploaded by Kirk Howard.

If you are looking for a great place to work on your photography technique or just take some fun great pictures, then take a day trip to your local Zoo.

My wife and I have been to our local Zoo a few times this year. We became members of the zoo in January. This allows us to get to the Zoo as often as we like for free. This week I have been to our local Zoo three times.

Our local Zoo is the Oakland Zoo. However, there are several local zoos’ to choose from in the Bay Area, but the Oakland Zoo is just a few miles from our house.

The Oakland Zoo is located East of I-580 in the Oakland Hills. It is a small Zoo with a lot to offer. It is small enough to tour the entire Zoo within a few hours, but large enough for you to see large predators and large game animals up close.

Some of the main attractions are the crowed pleasers like the Elephants, Lions, Tigers and Giraffes. Last year (2007) the Giraffe family had a new addition. However by the time we got off our butts to see the little guy, he wasn’t so little anymore.

Contemplation

Some of our favorite attractions are the Fox Faced Bats. My wife thinks they are the most interesting of all the exhibits. I like the Ring Tailed Lemurs. They are a fascinating little tribe. I also like the White-handed Gibbons. The young male swings in the trees with the greatest of ease.

This year the Oakland Zoo has introduced another Sun Bear. The Zoo has also acquired two rare lemurs, blue-eyed black lemurs. I haven’t seen them yet. According to the Zoo News it may be some time until they will be fully integrated with the Ring Tailed Lemurs.

What Cracker?

The Oakland Zoo also offers a great place to take the kiddos and let them run-a-muck in the new children’s Zoo. No it’s a Zoo with children it… The children’s Zoo has kid friendly animas for them to interact with i.e. the Alligators. They’re kind of kid friendly. They’re cuddly in their own way… The Zoo does have a new petting Zoo, and other exhibits that appeal to the pint size patrons.

Go out and enjoy you local Zoo. Have fun and relax, just make sure you take your “Big Glass”. I have shot most of my images with my Nikon Nikkor 300mm f/4.0 with a 1.4x extender. It lets me get up close and personal with the big cats, without becoming part of the food chain.

Big Smile

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Lomo Macaw – Featured in Diablo Magazine


Lomo Macaw, originally uploaded by Kirk Howard.

Diablo Magazine in their infinite wisdom has selected this photo for the Feb. 2, 2009 “Photo of the Day”.
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In the September 2008 issue of Popular Photography, Digital Toolbox there was an article “Cheap Shots” that described how to recreate Lomography.

Lomography started about 17 years ago in Austrian photographers got their hands on some cheap Russian made plastic cameras called Lomo LC-A. This came gave them extra contrast, saturation and big vignette. Lomography has expanded from these cheap little cameras.

This is my version of the Photoshop remake of the Lomography PS tutorial.

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You Blinked

Just when you thought it was all over for 2008, Nikon goes and pulls a rabbit out of the hat. Will it ever end?
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Nikon Officially Unleashes 24.5-Megapixel D3X
Nikon’s update to last year’s D3 is an $8,000 flagship aimed at the working professional.
By Stan Horaczek · Nikon
December 1, 2008

The full press release is below, but here are some highlights.

FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor
Five FPS at full resolution
12 and 14-bit capability
Dual card slots (CompactFlash)
5:4 Crop Mode for 8 x 10 shooting
7 FPS using DX-format lenses at 10.5 megapixels
ISO 100-1,600, expandable to 50 and 6,400
.12 seconds start-up time
3D Color Matrix Metering II
Multi-CAM 3500FX focus module, with 51 AF points
Up to nine available customizable presets
Tested to exceed 300,000 cycles for maximum durability and longevity
Viewfinder offers 100 percent coverage with 0.7x magnification
Up to 4400* shots per single charge of the camera’s Lithium ion battery
Shoots tethered or using the WT-4a wireless transmitter to eschew writing to cards
Available right now for $7,995

MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”

Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.

A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.

System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**

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Err – (blinks)

Err – (blinks)

Problem – Camera malfunction.
Solution – Release shutter. If error persists
or appears frequently, consult with Nikon-authorized service representative.

I know this is a direct translation from Japanese, but come on someone needs a new way of writing product manuals. This isn’t rocket science it consumer electronics…

Really the only way I could get the Err to stop flashing was to turn the camera off and turn it back on again. This would give one maybe two shots before I had to do it again… What am I talking about, I will explain.

About two weeks ago I ran into an issue while taking pictures at the San Francisco Fleet Week. The crowd was loud, the planes were loud so I really couldn’t hear if anything was wrong with my camera. All I could tell was every so often an image would come out extremely under exposed.Nikon D70s Malfunction Test 1

This issue started reoccurring more often to every other image would be so dark you could barely see the image. I first thought it was my CF memory card. I switched cards and got the same result. I decided that if it happened on a third CF card that it wasn’t a memory card issue. I was correct, in my assumption it wasn’t the memory cards.Nikon D70s Malfunction Test 2

Next I decided to clean my camera really well. Now that my camera is so clean you could eat breakfast off of… this didn’t correct the issue.

This last weekend I decided to continue to use the camera. Still with an every other image black out. However, now I was getting a message Err. I continued to shoot through this, but I would need to switch the camera on and off every time the “Err” would appear. This was a drag, but I didn’t have another camera to use. Plus it would still produce images (sort of).

I did notice that as I pressed the shutter release, I no longer heard the smooth movement of the mirror. The action had an inconsistent lagging electric sound. When I would check the image, it would be dark. So for self diagnosis I determined I was experiencing what we would call in the film camera world “Shutter Drag”. This is when the shutter would no longer operate properly and without a smooth precise open and close of the shutter. The picture result would give you an extremely under exposed image. I think the same type of problem is happening to me and is caused by the movement of the mirror.

Yesterday I took my camera back to the big box store where I purchased it in 2006. At the time of purchase I also spent the extra $100.00 for the extended service plan. I normally don’t purchase these, but on a camera (DSLR or Video) that is going to see some major wear and tear, I figure $25.00 and year was a good investment. Considering Nikon only gives you a one year parts and labor warranty.

The Geek Squad guy behind the counter that checked my camera in for repair made a good point. Most electronics manufactures only expect their equipment to last the length of the original warranty. Otherwise manufactures would offer longer warranties. Case in point major appliances i.e. washer, dryers and refrigerators, have you seen how long those warranties are?

I won’t have my camera back for 2 to 3 weeks. If for some reason they cannot fix or repair my camera or the cost of repair is more then to replace the camera they will refund the money and let me pick out a new camera. Not a bad deal considering the cameras have improved greatly and if I wanted to upgrade to a Nikon D300, it would cost relatively little out of pocket.

All I can do now is wait for the call…

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The Wordle Around Me


The Wordle Around Me, originally uploaded by Kirk Howard.

It was a slow day at work today (Oct. 3). While I was sitting at my desk, I remembered a conversation I was having with Magellan. She asked me if I had ever used Wordle? I said that had not, but I knew what the program was…

While I was sitting at my desk I thought It would take a stab at Wordle. I thought it would be interesting to take all the tags that I have used in Flickr, Zoomr, SmugMug, Photosig and all the blogs I had contributed in the past year.

This is what I came up with, and I titled it “The Wordle Around Me”.

I did the blending of the two wordle.com pages in PS CS3 along with combining the shot Magellan took of me in Alcatraz Island, San Francisco. I did all the PS work on my flight from Oakland, CA to San Diego, CA

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OFF-LINE…


Off-Line tags:, originally uploaded by Kirk Howard.

Today is the day I make the migration to two new storage platforms. Before I make the move, I will be making a clean slate.

1. Back-up existing files and folders (twice)
2. Make new list of necessary software to reinstall
3. Create virtual image of software.
4. Double check system
5. Triple check software and system.
6. Reformat internal HD
7. Reload OS
8. Download critical upgrades
9. Verify OS functionality
10. Make virtual image of HD
11. Initiate Time Machine on New External HD
12. Make additional virtual image.
13. Reload software
14. Migrate file and folders back to internal HD
15. Test system and Bob’s your Uncle.

Goggles… check! Hard Drives… check!, Software… Check! Patience… Double check, CHECK!

Wish me luck I’m going in…

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Contraption…

Sometimes one stumbles upon something that is truly amazing. This (text and video) were sent to me in an email. Please read the text first then watch the video. The mechanically inclined will really enjoy this. __________________________________________________________________________________ This is just way TOO cool a video. You have to see it to believe it (but be sure to first read the text intro below).

If you thought that the people who set up a room full of dominoes to have them knocked over later was amazing, you haven’t seen anything yet. There are no computer graphics or digital tricks in these images. Everything that you see happened in real time exactly as you see it.

The recording required 606 takes and in the first 605 takes there always was something, usually of minor importance, that didn’t work. It was necessary for the recording team to install the set-up time after time and it took several weeks working day and night to achieve this effect.

The re cording cost 6 million dollars and it took 3 months to finish, including the engineering design of the sequence. The duration of the video is only 2 minutes, but every time that Honda shows the commercial on British television, they make enough money to support any of us for the rest of our lives. However, this commercial has turned out to be the most displayed in the history of the Internet. Honda execs think that it will pay for itself simply because of the free showings (Honda is not paying one cent for you to see it)

When Honda senior execs viewed it, they immediately approved it without hesitation-including costs. There are only six Honda Accords built by hand in the whole world, and to the horror of Honda engineers, the recording team disassembled two of them for the recording. Everything you see in the sequence (besides the walls, floor, ramp and untouched Honda Accord) is part of those two automobi les.

The voice is that of Garrison Keiller. The commercial was so well received by Honda execs when they saw it, that their first comment was how amazing the computer graphics were. They almost fell out of their chairs when told that the recording was real without any graphics manipulation.

By the way, about the wind shield wipers in the new Honda Accords, they are sensitive to water and designed to start working as soon as they get wet.

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Fractalius…

It’s another day…

Yes, that’s right I am here to explain the whole Redfield Fractalius Filter plug-in frustration. Ever since I had seen some of these images I had been drawn to them. It’s like HDR (High Dynamic Range) images. I just think they are fantastic if done well.

So all the photographers that have submitted these fractalius picture I have contacted asking what this program was or how did they do that. One photag finally responded that it was a Photoshop plug-in.

Now my search is on for this funky plug-in. He didn’t say who it was made by nor did he say what it was. It was by chance that I saw an image on flickr that I was steered into the right discussion that told me the name “Fractalius”. Better yet they told me who made it and the web site Redfield Plug-ins at Redfieldplugins.com.

The filter plug-in was going to cast me $39.90 for the latest version. I had my credit card out and I was ready to purchase… and then the world was ripped from below my feet. My hopes and dreams all feel apart.

I looked for the MAC versioin download. I couldn’t find it. I saw the Windows user download, but nothing for MAC. So it browsed the FAQ. Right there in black and white was my answer.
______________________________________________________
Have you any plans to release Redfield Plug-ins for Mac OS?

Sorry, we regret that we do not have any plans to port our plug-ins to the Mac OS.
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What the %#@$… Riken, Raken, Friken, Fraken… Sis boom bah! Bugs Bunny, Bugs Bunny Rah! Rah! Rah!.

What a shame. Magellan and I over a year ago had been yanked over to the MAC family. We decided to go MAC because we got tired of all the deadly viruses, pop up’s and phising without a permit.

I have on PC with Windows XP on it, but it only has Photoshop CS. I could see spending the $40 clams on the MAC, not on an outdated XP with old CS.

What a bummer. Why can’t everyone just get along in the software world. I just don’t understand.

I have posted an UPDATE/FOLLOW UP to this post you can find it here: Fractalius for Mac Apr. 1 2009

Jump to:
Fractalius Flickr Group

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What we remember

Sometimes our memory is a fine tooled instrument, other times it’s a pile of rust. Yesterday I knew I had forgotten something and it bugged me to know end. It felt like I was going through my day missing something very important. Continue Reading…

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