Err – (blinks)

Problem – Camera malfunction.
Solution – Release shutter. If error persists
or appears frequently, consult with Nikon-authorized service representative.

I know this is a direct translation from Japanese, but come on someone needs a new way of writing product manuals. This isn’t rocket science it consumer electronics…

Really the only way I could get the Err to stop flashing was to turn the camera off and turn it back on again. This would give one maybe two shots before I had to do it again… What am I talking about, I will explain.

About two weeks ago I ran into an issue while taking pictures at the San Francisco Fleet Week. The crowd was loud, the planes were loud so I really couldn’t hear if anything was wrong with my camera. All I could tell was every so often an image would come out extremely under exposed.Nikon D70s Malfunction Test 1

This issue started reoccurring more often to every other image would be so dark you could barely see the image. I first thought it was my CF memory card. I switched cards and got the same result. I decided that if it happened on a third CF card that it wasn’t a memory card issue. I was correct, in my assumption it wasn’t the memory cards.Nikon D70s Malfunction Test 2

Next I decided to clean my camera really well. Now that my camera is so clean you could eat breakfast off of… this didn’t correct the issue.

This last weekend I decided to continue to use the camera. Still with an every other image black out. However, now I was getting a message Err. I continued to shoot through this, but I would need to switch the camera on and off every time the “Err” would appear. This was a drag, but I didn’t have another camera to use. Plus it would still produce images (sort of).

I did notice that as I pressed the shutter release, I no longer heard the smooth movement of the mirror. The action had an inconsistent lagging electric sound. When I would check the image, it would be dark. So for self diagnosis I determined I was experiencing what we would call in the film camera world “Shutter Drag”. This is when the shutter would no longer operate properly and without a smooth precise open and close of the shutter. The picture result would give you an extremely under exposed image. I think the same type of problem is happening to me and is caused by the movement of the mirror.

Yesterday I took my camera back to the big box store where I purchased it in 2006. At the time of purchase I also spent the extra $100.00 for the extended service plan. I normally don’t purchase these, but on a camera (DSLR or Video) that is going to see some major wear and tear, I figure $25.00 and year was a good investment. Considering Nikon only gives you a one year parts and labor warranty.

The Geek Squad guy behind the counter that checked my camera in for repair made a good point. Most electronics manufactures only expect their equipment to last the length of the original warranty. Otherwise manufactures would offer longer warranties. Case in point major appliances i.e. washer, dryers and refrigerators, have you seen how long those warranties are?

I won’t have my camera back for 2 to 3 weeks. If for some reason they cannot fix or repair my camera or the cost of repair is more then to replace the camera they will refund the money and let me pick out a new camera. Not a bad deal considering the cameras have improved greatly and if I wanted to upgrade to a Nikon D300, it would cost relatively little out of pocket.

All I can do now is wait for the call…

I found my iLife 08, it was right were I left it. Actually it was with the supplemental install dicks. Remember those two grey disks labeled Disk 1 and Disk 2, well that’s where it was. It was confusing at first because when you install and run Disk 1 it shows you Mac OSX Tiger. Tiger is the old OS, which is why I was confused. You have to run Disk 1 first then Disk 2. Disk 2 is where the iLife 08 lives.

As of 10:00 PM Wednesday night, I completed the install of the last program MAC: Microsoft Office 2004. All I have left is to pick and choose some files to migrate back and some plug-ins for web based programs.

I am really glad I did this clean install and erase. When I purchased his MacBook Pro last year in Dec. I thought it was cool and easy to migrate all my user information that was on Magellan’s MacBook to my new computer. What I didn’t know, was this would migrate everything. Programs, plug-ins, files, folders, music, and anything else I didn’t want.

My notebook has a 120 GB HD, when I was done I had 60GB left and the 40GB of photos I have taken since last December took up of the rest of the hard drive. The is why it became very sluggish.

After the clean install of Mac OSX Leopard and only installing the MS Office 2004, Adobe Lightroom, Toast, iLife 08 and one copy of Photoshop, I still have a ton of room. According to the internal HD info I have used 20.3 GB that leaves almost 97 Gig of free clean space. My computer runs faster and the fan doesn’t run as often.

Time Machine works great on my 1 Terabyte external HD. Once Time Machine is set up, I plug the HD in either with the USB or Firewire connection and Time Machine does the rest for me. It backs up my system every hour.

When you initially set up Time Machine it will take longer then usual to back-up your system. However, every time after that It only backs-up the changed data. All other data is left the same unless it had changed.

If you delete something that you didn’t mean to, all you have to do is go back in time on Time Machine and tell it to load from that point. Wow, what a relief that will be, when I delete an entire photo album that I don’t have a copy of. I have done that!

My only issue that remains is trying to hook up the 1 TB hard drive up to the Airport Extreme to back up wireless. I can see the drive and download/upload to it, but the Time Machine program will not work through the Airport Express.

Start – 4:00 PM September 23, 2008
Finish – To Be Determined

After spending a few hours backing-up and doing an “install and erase”, will say “it was a success we have ignition.

As I left my house this morning at 4:30AM the 1 terabyte external HD was still going through its MAC OS Extended Journaled rewrite. When I checked on the process as I walked out the door, it still had three hours left… Whoa!

My only hiccup has been I cannot find my iLife 08’. I checked the Leopard install, I also checked the separate MAC OS install bundle disks.

Once I get the iLife 08 figured out I will finish the migration and software install.

Update to follow…

Well it’s time… It’s time to talk about storage and backing up files. If you are like me and in the last year, you’ve shot over 10,000 pictures, and have them stored on your laptop or desktop computer, you could be setting yourself up for catastrophic failure.

If your internal HD fails and you don’t have a backup of your files you may not recover them. Could you image losing all those important birth, wedding or vacations photos?

A little over a year I purchased a portable external HD from the now defunct CompUSA. It is a FireLite 160GB HD made by SmartDisk. It was on sale for around $119.99. Continue reading »

Clowns...

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Sep 042008

Clowns
Originally uploaded by Kirk Howard

These shots are the results of a test from my dropped lens. In Monterey last weekend I was unloading the “Element” for a little shoot of my wife and me for our Christmas card. When I picked up my Photo Backpack I didn’t realize I left it unzipped. The result was that my Nikon NIKKOR 105mm f/2.8G IF-ED AF-S VR Micro came crashing to the ground.

Luckily it hit on the hood that was reversed in its storage position. A few scrapes and burses, but I think it survived.

On Tuesday night I ran it through some up close tight test. The middle and right image is soft due to my fault. I focused on the wrong spot. I will do more testing for a more definitive answer.

Whew! What a break…

Aug 222008

Back to more interesting stuff. Since I have been a slacker, I am going to borrow a little tid-bit from the Digital Photography School blog. If you haven’t been to this site or blog make a must see on your daily surf trip. I have picked up quite a few tips. I even find myself checking the site out and searcher out techniques and how to’s.

DX, full-frame, APS-C, FX, crop factor, 24×36, image circle. Confused yet? Good. With the new Nikon D700 hitting store shelves and the Canon 5D MkII imminent, now is a good time to clear the air on the whole sensor size thing.

Back in the film days, the rectangle that captured the image on a standard SLR (the film) was one size: 24mm x 36mm. That was all there was to it, and nobody really gave it a second thought.

Every camera manufacturer is slightly different; models from the same manufacturer are even different. People usually refer to a sensor’s size by its “crop factor.” That’s the number you use to find the 35mm equivalent of a given lens. It’s just like taking the middle of an image and throwing away the outside edges. If a sensor is 24mm x 36mm, then there is no crop factor, since it covers the same area as 35mm film.

Nikon has two different sensor sizes: full frame (FX) and 1.5x (DX). Click… to read more.

Aug 202008
Forgive me bloggers for I have sinned. It has been sixteen days since my last blog entry. I have ha really good excuse. This time frame corresponds to the time that I buckled down and seriously studying for my NASD/FINRA General Securities Principal Exam (S-24). For all Firm Managers and Firm Principals’ it is a SEC mandated test. I am neither a manager nor a principal, but the “Firm” wanted me to take the exam. I took it, I passed it, now what? I guess, I sit and wait for something to happen. Only time will tell.

Last Saturday after my Exam I took the SF MUNI to Powell St. From there I took the Bus 27B and headed into the Mission Dist. of San Francisco. I was dropped off at Bryant and 18th. The corner where Calumet Photographic store is located. I walked in looking for inexpensive studio/portrait lighting. (Blog for another day) While I was there they had one of the new Nikon D700 out for buys to play with. It was the first D700 they had taken possession of, and everyone drooling over it, including the staff.

Back in October I blogged about Nikons Double D’s. Here is the rundown. The D3 is the top of the spear for Nikon. A full frame (FX) sensor for professionals. The D300 is Nikon’s next greatest camera second only to Nikon’s D3. The D300 is not a full frame sensor, but is the DX sensor with a conversion factor of 1.5x to achieve the 35mm equivalent.

Thump… did your hear that? It was the other shoe dropping. Nikon at the end of July, to the unexpected surprise of the photographic community released the D700. It has everything the D3 has but in the D300 body. That’s right! It’s a full frame (FX) sensor in the smaller lighter weight body of the D300. The D700 even offers features that the D3 doesn’t have like the self cleaning sensor. If you have ever had a dirty dusty filter… What a pain in the patoot.

The biggest difference between the D3 and the D700 is the price tag. The D3 is an astronomical $4,999.99; the D700 is a Mountainous $2,999.99 not bad for a full frame camera. Then their is the D300. I think you can pick up a D300 for a mere $1,649.99 (body only).
Here is a list to Click… for reviews of the D700:
Click… here
1. The Nikonians
2. dpreview

3. Nikon USA
4. Scott Kelby

Next… Click… for the (FX) full frame vs. (DX) crop sensors.

Hey Taylor this one is for you…
A friend of mine asked me to recommend a DSLR camera for his new business. I imagine he will also be using his camera for other stuff besides work i.e. kids, sports, vacations, family gatherings etc. He mentioned that he would need a fisheye lens for his work. I think he may be better off with an extreme wide angle vs. a fisheye lens. A wide angle lens will have less distortion then a fisheye lens.

This is actually a fairly simple question. The two major manufactures on the market are Canon and Nikon. In 2003 Sony took over the Konica/ Minolta camera division. The Alpha 100 was the first DSLR to hit the market for Sony. To read Digital Photography Review™ follow this link Sony A100. Sony along with other known manufactures continue to make a nice showing in the trade magazines.

Other reviews:
Sony Alpha DSLR-A100*
Sony alpha DSLR-A100 Digital Camera Review**

Cameras:

Nikon has just introduced the third camera in the introductory DSLR lineup the Nikon D60. The other two are the Nikon D40 and the D40x. I would choose the D60 over the other two in the series. The D60 is the latest and will have the most up to date electronics and software.

It was released shortly after the Nikon D300 and the Nikon D3, so you know it will have the latest and greatest for this price point.

Digital Photography Review™:
Nikon D60 (New)
Nikon D40x
Nikon D40

Staying true to form, Canon released in late 2003 a low priced consumer DSLR. Like everything, in the camera market, as time marches forward the prices drop and features are more plentiful.

Canon has the proven Rebel series from the film camera days. They stuck with the name because it was a big marketing hit with Andre Agassi being the ultimate rebel spokesman.

The newest addition in the Canon Rebel series is the release of the Canon’s EOS Rebel XSi. This is so new that Digital Photography Review™ doesn’t have a review on it yet. But, I did find a review in the PopPhoto Online mag.

Digital Photography Review™:
Canon EOS Digital Rebel XTi
Canon EOS Digital Rebel XT

I chose a Nikon for my personal camera, not because I don’t like Canon cameras, because I do, it was for the fact I already had Nikon lenses I could use with my Nikon DSLR. However, If I didn’t already have Nikon equipment I would have most likely bought a Canon. I like Canons lenses more.

Lens:

Canon has slightly better quality lenses. For years Nikon led the pack in lens technology. However when Nikon switched from glass ground lenses to a poured/molded glass and plastic lenses they slipped off the quality scale. Nikon does use glass optics in the higher end lenses, but to make the lens more price friendly they are using the poured/molded glass instead of ground glass.

In the lower end lenses Nikon uses a hybrid of glass and plastic. This makes it lower priced for the average consumer. Also, the hybrid makes the lens much lighter. This is not to say that Canon and any other manufacture aren’t doing the same with their lenses, they are, and I am just saying that Nikon has slipped off their perch.

Keep in mind with the lower priced DSLR cameras, the digital chip or CMOS sensor are not full size. The DX CMOS chips usually have an image increase factor of 1.4 (Nikon) to 1.5 (Canon). What that means is when you add a 100 mm (non-converted) lens to a Canon camera you will be shooting the equivalent of a 150mm standard lens.

In case you wanted to know a full size CMOS sensor camera prices start at $4,999.99 for the body only. Yeah, I thought so…

Two lenses I would start with, if you don’t get one included in a camera kit (packafe). I would purchase an Ultra Wide Angel Zoom with the fastest speed lenses I could afford. In this case fast doesn’t mean fast focus. It means the lower the f – number the more light passes through the lens and the lower ambient light I can shoot in without the aid of a flash. A f/2.8 lens is twice as fast as a f/3.5. (see: Get the F/Stop)

The other lens would be a telephoto zoom. Nikon has a new extreme wide to telephoto zoom lens 18-200mm for less then $1,000.00

If you want to save money on lenses you can buy a lens from a third market manufacture. Sigma, Tamron and Tokina all make lenses for all the major camera manufactures. Sigma Photo has the greatest selection and verity of lenses. Just so you know I buy the lens made by Nikon. Nikon lenses are designed and built for Nikon cameras. However, sometimes I cannot afford a Nikon lens and I purchase third maket lenses. My 70-200 f2.8 is made by Tokina. It cost me $560.00 used. If I would have bought the same lens from Nikon the price would have been over $1,800.00 new.

Digital Photography Review™:
Nikon 18-200mm f/3.5-5.6G IF-ED AF-S VR DX
Sigma 10-20mm F4-5.6 EX DC HSM

Where to purchase?

That is a good question. I am a big fan of buying local. Support your local dealer in your local town, city or pueblo. I like to keep my money in the community where I live. One the other hand I am no fool, if I can purchase the same product with someone else with at least a 10% savings, well sorry local guy, I got to do what I got to do. Also, if I can save and addition percentage from purchasing my equipment on the Internet (sales tax free), I think that is a no brainer.

If I buy online I go to B&H Photo first. B&H are located in New York and they have a real good sales and support staff.

It is a mouth full of information to chew on. If you have any questions please drop me a line and I will answer them the best I can. My knowledge base is primarily Nikon and Sigma. However, it’s not always what you know as much as it is where to go to get the answers.

The Missing Link:



Taking pictures can be difficult enough with lighting, proper exposer, focus, subject matter and the list goes on. Going to a
public aquarium in very dim light without the use of a tripod doesn’t make it easier.
My wife and I recently went to the Monterey Bay Aquarium. I took my camera gear with me to try and capture images of the life in the aquarium. While there was much to see and to photograph trying to capture the best image is a challenge.First the M.B.A. doesn’t allow tripods or monopods into the building. The reasons for this are clear. Can you imagine with all the visitors to the aquarium, gawking at all the displays and then have some photographer(s) setup a tri-pod in front of said display. It would be a mess. People kicking the legs of the tripod, gear crashing to the floor. It would be complete chaos.

Some displays in the aquarium won’t allow use of a flash. In the large display tanks the M.B.A. discouraged the use of flash, because it drove the large pelagics to the rear of the tank. It seems the bigger fish are camera shy.

This is what I recommend for taking photographs in an aquarium setting:

1. Use the highest speed wide angle zoom you have access to. I used my Nikkor 18~70mm f3.5-4.5. I found this lens was not fast enough. I could have used my Nikkor fixed 50mm f1.8, but the wide angle wouldn’t be enough to allow the coverage of most display tamks.

2. Increase your ISO between 400 to 800. The higher your ISO the more digital noise will be seen on the image.

3. Use an off camera flash when possible. I used my Nikon SB-600 strobe. I had it hand-held and tethered to the camera. This gave me the ability move the strobe around the outside of the tanks to shoot through the glass and minimize the amount of reflection back into the lens. For more information on use of off camera flash, read the Strobist.

4. Also to help minimize the light being reflected into the lens (lens flare), I recommend a soft rubber lens hood. not only will his help eliminate lens flare, this will also give you a very soft seal when you push the lens up to the aquarium glass. I purchased a rubber lens hood for less the $10.00.

To be continued…

JOBY is the company name for one of the greatest tri-pod revolutions of our day. JOBY makes the “Gorillapod”. These flexible units are great. I purchased one for my trip to Guatemala last summer. I wasn’t going to schlep a full size tri-pod with me on my trip. I also only took my point-n-shoot Panasonic TZ3.

I was very surprised how well this little tri-pod worked. It was small, compact, light weight, and easy to use. I could stick it in smallest pouch of my backpack. Sometimes I would stick it into a jacket pocket, it is that small. I was very grateful for the small compact size when I was climbing the Pacaya Volcano, Guatemala.

Recently we used the gorillapod on our snowshoeing trip. We set up a shot in a snow meadow but didn’t have a place to put the camera. So I planted one of my wife’s hiking poles in the snow and wrapped the gorillapod legs around the top on the pole, set the timer and shuffled over next to my wife. 10 seconds later click and we had a great steady image.

This week I spent some time at the Macworld Expo. One of the exhibitors/venders was JOBY with their gorillapod set ups. I liked the one I have so much I purchased a second unit (Green) for my wife. I also purchased the largest unit they had for my Nikon D70s. I am sure this will come in very handy.
Side note:

While talking to the JOBY rep. I mentioned that one of the sockets on the leg keeps popping out. He asked if I had the tri-pod with me. I said “Of course I do” since I carry my point-n-shoot with me all the time. I pulled the gorillapod out of my bag and handed it to the rep. Upon closer inspection he noticed a little crack in the plastic. This would be the source of detachment of the ball-n-socket joint. The rep. looked at me, and I being the optimist that I am, expected him to tell me I was S.O.L. and he couldn’t do anything for me. Instead, to my surprise, he offered me an exchange right there and handed me back the old unit too. Now that is customer service.

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