Here is a little video to entertain you. I have always been interested in doing arial photography. Yes, I would like to one day go up in a actual helicopter or plan and do so really great arial photos. However, If you decide that flying is not your cup a tea, then maybe you would want to consider trying this as a alternative and keep you feet on the ground, and leave the flying to the birds.
Aerial video with a Canon 5D , 7D helivideo.com from Eric AUSTIN on Vimeo.
Hello, Earth! Can you believe that this photo was taken by a man who attached a digital camera to a balloon? Madness. There’s actually not too much involved here. You take a helium-filled, high-altitude balloon, strap a digital camera to it, and off you go. The camera goes up (that’s 22 miles above the surface of the planet), takes a photo every five minutes, then it comes floating down to Earth on a parachute. A simple GPS, not too different from the one in your car right now, gives the location of the camera when it comes back down.
It’s the space-photography equivalent of macaroni glued to construction paper.
Total cost? Around $750. That’s less than what I spent to build the PC I’m writing this post with. Clearly Robert Harrison, the UK chap who put all of this together, is cooler than I’ll ever be.This amazing photo of Earth cost only $750 to take
This is a late Tech Tuesday post. I have always wanted to try my hand at time-lapse photography. I have seen several videos that I thought were great. Unfortunately my equipment didn’t allow for easy time-lapse set up. I currently shoot a Nikon D70s. The newer Nikon models have the time-lapse (intervalometer) feature built into the firmware.
In order for me to achieve time-lapse I need to purchase external equipment i.e. The Mumford Time Machine. The new equipment wouldn’t even make it seamless. I would have to make modifications to my current camera setup and I wasn’t sure I wanted to go that route.
In July or August of 2008 I met a Pro Photographer from Australia. He was using high end Canon Cameras, but he also had the Canon G9. The G9 had a intervalometer built into the firmware. However shortly after Canon discontinued the G9 and replaced it with the G10. I purchased a G10, from a local store thinking it had a intervalometer. I was wrong, and all the G9′s out there on the used market either were abused or cost more then the G10.
A few weeks ago while researching this project again, I ran across the PocketWizard MultiMax. I already had PocketWizard Plus II that I use for my studio strobes. In the MultiMax the software has an intervalometer. I went to my local photography store to test it out. It worked great. It was expensive, but I at least could justify the purchase, because I knew I would use it with over studio gear, so it would serve dual purposes.
As with all new unfamiliar equipment I need to work out some bugs. However over the weekend I did manage to take a time-lapse of the sunrise in San Francisco, and later that evening I did another of the sunset in the same direction. I marked my tripod and when I returned, I placed it in the exact same spot. However, I did find out you need to babysit it to make sure that the lighting is right. Cameras setting is one of those bugs I will work out as I do more. Making sure the ISO is set right, Aperture an Shutter are set correct. I read that you should put the camera in Aperture Priority. I did that and it didn’t work like I hoped. I will play with the setting and come up with the right recipe.
My next quest is to find inexpensive (free) software that will complies all the images together. I have gone to VersionTracker, but most of the software they offer is for iSight on the Mac’s. I use a Mac, but I need something more then that. A few people have pointed me to QuickTime Pro 7. It isn’t very expensive and may work seamless with iMove. Unfortunately QuickTime Pro 7 doesn’t have a trial.
On a side note, while I was doing time-lapse research, I did find a photographer Nicolesy Photography, that does a two video series on How to Create a Time-lapse. Below is the first video of her two part series. Plus as a bonus I will add another of her videos of a time lapse that she did of a portrait shoot setup and the shoot it’s self.
Stay tuned for next weeks Tech Tuesday. I that series I will explain how I set up my first time-lapse and what I leard from my mistakes. Plus I will include Nicolesy Photography second How to Create a Time-lapse video and a bonus video as well.
If you would like tocomment or add links to your time-lapse photography video, please put them in the comments below.
Apple iPad
I am sure I am not the First, and I know I won’t be the last. Apple today revealed in San Francisco, in their grand fashion the new long anticipated iPad. About six months ago word was out that Apple Inc. was going to come out with a new device. And today was that day to see what the iPad would look like and how much it would cost. It seems to be a large version of the iTouch.
The size seem to be about the same as the MacBook Air just without the clam shell. The screen is 9.7 inches, measured diagonally. So overall, it’s slightly smaller than a magazine. And at just 1.5 lbs and 0.5 inches thin, it’s easy to carry and use anywhere. The high-resolution, 9.7 inch LED-backlit, IPS display on iPad is remarkably crisp and vivid. It uses a display technology called IPS (in-plane switching), it has a wide, 178° viewing angle.
iPad uses the same revolutionary technology that’s in an iPhone multi-Touch. To maximize battery life, Apple engineers took the same lithium polymer battery technology they developed for our notebook computers and applied it to the iPad. As a result, you can use iPad for up to 10 hours while surfing the web on Wi-Fi, watching videos, or listening to music.
The iPad will be released in March with wireless, and in April Apple plans on releasing the 3G version. The iPad will start at $499 pirce tag. And iPad is available with a choice of 16, 32 or 64GB flash storage. I don’t think that will be enough storage. I have a feeling that will be a limiting factor for those of us that will be using this as a substitue when we don’t want to us our MacBooks.
Here is the link to the video if your would like to learn more. iPad
Several months back I posted on my blog Safety First about the importance of backing up your files and data, especially photo files. As you may have gathered I am a photographer. No matter what you may think of my photography it does not really matter. The point is I spend an good amount of personal time behind my lens trying to capture that perfect photo in a moment of time. So I can afford to lose any of my images no matter how bad they are. If I choose to delete them at least I made the choice and not a hardware or software failure doing it for me.
I brought this up because one of my Terabyte HD’s was filling up with all my system backups. I only had 50 gigabytes left on my primary backup HD. So I decided to delete all my backups up to November 1, 2009. It was simple, all I needed to do is find the folder and files under the Backup main folder a delete the folder I wanted.
I moved the no-longer needed folder to the trash. What I didn’t realize is how long it would take to actually empty my system trash once the deleted folders were in the trash. For the record it took just over 5 hours for the entire trash can to be emptied. That just over half a terabyte of free space has now been recovered. I am sure that in my obsession of backing up my system that it will only be a matter of month and I will be deleting a 1/2 terabyte of re-storable files and folders.
If you feel so inclined to read my previous post here is the link Safety First.
21/365 Oatmeal & Flaxseed, originally uploaded by Kirk Howard.
Image 21/365
The is my new breakfast according to my doctor, Oatmeal and Flaxssed…
Strobist Info:
SB600
Pocket Wizards
Lasolite 24″ Easy Box
(2) 3/16 White Core Foam Board
Here is what the setup looked like in my kitchen Oatmeal & Flaxseed Setup
(VALs) can go a long way. a great video from the BYU shooting team shows some great lighting techniques and VALing with a monoblok Video
Nikon Officially Unleashes 24.5-Megapixel D3X
Nikon’s update to last year’s D3 is an $8,000 flagship aimed at the working professional.
By Stan Horaczek · Nikon
December 1, 2008
The full press release is below, but here are some highlights.
FX-format, 24.5-megapixel (6048 x 4032) CMOS sensorMELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.
The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.
“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”
Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.
The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.
Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.
The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.
The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.
Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.
To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.
Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.
A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.
System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.
Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**
I dreaded the holiday shopping season as a retail employee. In celebration of “Black Friday”, and that I haven’t worked retail for over 150 full moons, here are some shopping ideas for the photographer in your life.
1. Books are always a good idea. How to’s: for better technique. Amazon.com com has a great selection of photography books. Some great authors are Scott Kelby, Joe McNally, and Annie Leibovitz. Also, some other books are the Photo Workshop series.
2. Magazines are another gift that keeps giving for at least 12 months. There are a plethora of Photography or Photoshop magazines. Most of these can be purchased or ordered from the websites directly. Popular Photography (PopPhoto) is a great general magazine.
2. Glass Blow Ornaments are always a good stocking stuffer. Here are some VINTAGE CAMERA ORNAMENTS.
Another great gift resource comes from the guys at NAPP and Layers Magazine. It’s the Gonzo Holiday Gear Guide. You will have to navigate to different pages to see the entire gift guild, but it worth the looks. This is the 2007 Gonzo Holiday Gear Guide. The 2008 Gonzo Holiday Gear Guide version has been released, but you will need to purchase the Layers magazine to see this years toys. Stay tuned for an update.
Now if you haven’t noticed already, everything I posted can be had over the internet. I try to do most of my shopping this way. I hate having to deal with holiday shoppers and the nastiness it brings out in the average Joe.
If you know what you are looking for and have a good idea what retail is for items, you can score some good deals on-line. Warning, be smart and wise and make sure the product and company is reputable.
That’s if for me. I will be braving the crowds at the Apple Store today. Apple usually has a one day sale on “Black Friday”. Apple is notorious for never selling anything under MSRP, except for “Black Friday”.
Good Luck and may the shopping be with you…
No matter how you vote last night or your political affiliation you have to admit technology is advancing and here to stay.
Last night as I watched election results on many of the major TV networks FOX, ABC, CBS, NBC, CNBC and CNN, I came across something amazing. CNNs Wolf Blitzer was talking to another reporter. At first I thought the reporter looked a little short, then I realized it was a projected image. Not only a projected image, but a hologram.
Take a look at the video clip it’s really cool.